


![]() |
How political correctness sabotages art Darlene Kemp reviews Rape of the Masters by Robert Kimball. |
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The dark side of American liberalism George Cassarolli reviews Hellfire Nation: The Politics of Sin in American History by James A. Moore. |
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Architects of the culture of death Jeanne Marsh reviews Architects of the Culture of Death by Benjamin Wiker and Donald DeMarco. |
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How the women of the media sell unhappiness Lucia Brynn reviews Spin Sisters by Myrna Blyth. |
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Debunking the contemporary vision of androgyny John Miller reviews Taking Sex Differences Seriously by Stephen E. Rhoades. |
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The founding papers of the Catholic land movement Jason van der Ruhl reviews Flee to the Fields by Amantore Fanfani. |
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A murder mystery spun for and about traditional Catholics Michael S. Rose reviews The Endless Knot by William Biersach. |
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Hitler's sabotage campaign on America Ben Albers reviews Saboteurs: The Nazi Raid on America by Michael Dobbs. |
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How bio-technology is changing our world Chris Aristides reviews Bio-Evolution by Michael Fumento. |
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A Polish officer, his covert mission, and the price he paid
Maria DiValerio reviews A Secret Life by Benjamin Werner. |
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Renewing Sicilian culture -- without the bloodshed Joe Schmanski reviews Fighting the Mafia by Leoluca Orlando. |
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The Davinci Code: The greatest story ever sold The real draw for Dan Brown’s runaway bestseller is his highly polemical premise: that Christianity is a sham, little more than an age-old instrument of oppression. |
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Catholic intellectuals and the progressive era Michael S. Rose reviews The Church Confronts Modernity by Thomas E. Woods, Jr. |


